经山历海

在区政协负责文史工作的吴小蒿，不甘平淡的生活，报考了胶东半岛楷坡镇副镇长。她上任之后才发现，丰满的理想遭遇到了骨感的现实。她经历了落后村落“石屋村”的搬迁、严重威胁村民安全的小冷库拆除、兴建村民们急需的冷链物流园、为石屋村招商引资保护古村落文化、整改安澜村落后小码头、亲力亲为在网上为渔民推销滞销的海产品、开拓现代化渔业“海洋牧场”的雏形等等，基层工作中的挑战和困难，令吴小蒿措手不及，期间闹出不少笑话。但是她的真诚、执着和勇气，深深的感召了工作能力强、方法简单的镇长贺成收。

天师捉妖

专事研究吸血鬼的阿布荣西尤斯教授（Jack MacGowran 饰）为了猎杀恐怖的吸血恶魔，带着助手阿尔弗莱德（罗曼·波兰斯基 Roman Polanski 饰）来到位于东欧的特兰西瓦尼亚山区。师生二人下榻在雪山脚下的一所旅店，旅店内挂满了大蒜，尤其老板沙戈（Alfie Bass 饰）女儿莎拉（莎伦·塔特 Sharon Tate 饰）的房间更是隆重。教授见此情形颇为欣喜，意识到自己找对了地方；阿尔弗莱德则迷上了美丽动人的莎拉。某个夜晚，莎拉突然被来自山顶的吸血鬼科若洛克伯爵（Ferdy Mayne 饰）掳走，次日沙戈也被吸血而死。为了拯救美丽的女孩，师生二人冒死上山，闯进鬼影幢幢的阴森古堡…… 导演罗曼·波兰斯基通过这部影片与莎伦•塔特陷入热恋，次年二人完婚，但怀孕中的莎伦不久便为曼森家族残忍地杀害。

无罪的罪人

　　拉斯迪（哈里森·福特 Harrison Ford 饰）在检察院里打拼多年，最终成为了首席检察官。某日，助理检察官卡洛琳（格列塔·斯卡奇 Greta Scacchi 饰）出现在了拉斯迪的身边，主动对他投怀送抱。原来，卡洛琳觊觎拉斯迪的首席检察官之位已久，她希望帮助拉斯迪坐上监察处处长的职位，自己则可以渔翁得利。                                                                    　　哪知道拉斯迪并非野心勃勃之人，对向权力顶峰攀爬并无兴趣，得知了计划落空，卡洛琳果断的离开了拉斯迪。然而某一日，拉斯迪忽然得到了卡洛琳被杀害的消息，令他感到匪夷所思的是，凶案现场的种种证据，都在控诉拉斯迪就是罪魁祸首。拉斯迪知道自己落入了某人一手策划的陷阱之中，而愿意为他辩护的，只有他自己。

梦醒之前

杰茜意外丧子，悲痛之余，居然发现自己无法生育。无奈之下，夫妻俩只能计划领养，谁知领进家门的不仅是个小孩，而且也是个天使，亦是个恶魔.....

见面吧就现在

年轻编导季秋（卢洋洋饰）和刚刚归国的射击选手周子谦（何与饰）在射击馆因为一次误会相遇，季秋不知道，面前的高个男孩正是小时候总躲在自己身后的小不点，只当他是一个刚认识的陌生弟弟相处。后来以季秋所在团队的新综艺《见面吧就现在》的节目录制为契机，两人产生了工作和生活上的各种巧合和交集，这对欢喜冤家在因缘际会下逐渐走进彼此的内心世界。本剧以一档《见面吧就现在》的综艺节目为切入点，以一对青梅竹马的邻家姐弟重逢后相遇为线索，构建了一段妙趣横生的都市爱情故事。

蜡笔小新：好别致的影分身日语版

故事描述一个叫屁祖隐的女人带着5岁的少年来到野原广志和美冴的家里，告诉他们自己是广志和美冴的5岁儿子新之助的亲生母亲。二人留宿的当晚，野原家遭到神秘忍者集团的袭击。新之助被绑架了。屁祖隐家是忍者的故乡，世代守护着地球的能量“宁特鲁”的家族。于是，地球的存亡就交给了新之助的忍法。

轰天绑架大富豪

大富豪语录“我最恐惧的不是死，而是穷”。　　世界犯罪集团大起底，本世纪的智能型罪案专家挑衅中港公仆。　　绰号‘大富豪’的大贼王戴富强（影射张子强），专门从事大型犯罪活动，由机械劫款车、打劫金铺至绑架富商，犯案越见严重。可惜其一指逍遥法外，直至他潜反内地，被公安拘捕，终判死刑。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

2月15日 22-23赛季NBA常规赛 魔术VS猛龙

22-23赛季德甲第12轮 不莱梅VS柏林赫塔

10月29日 22-23赛季德甲第12轮 不莱梅VS柏林赫塔

少女洛荷

LORE萝拉”是片中主人公Hannalore（莎斯琪亚·罗森道尔 Saskia Rosendahl 饰）的小名。故事发生在二战结束不久前的德国。萝拉是位生来养尊处优的女孩，她的父亲是一名高级党卫军军官，曾在白俄罗斯处决过大量的犹太人和无辜市民。萝拉和她的姐妹们对犹太人 的遭遇知之甚少，她甚至还是一名希特勒青年军（Hitler Youth） 的光荣成员，对纳粹信仰充满了崇敬之情。如今，希特勒已死，而德意志变成了一片废墟，在这样的环境之下萝拉开始了一段痛苦而深刻的长大成人的经历。　　影片在2012年瑞典斯德哥尔摩电影节荣获最佳影片、女主角、摄影与最佳原声四项大奖。之前还曾获得Locarno观众奖以及瓦拉多利德Valladolid最佳新人导演奖。代表澳大利亚申报2013年奥斯卡外语片。

主妇胜！

専業主婦の宮本夏子（48）は夫?明良（54）から「会社を辞める」と言い出され、驚きで言葉が出なかった。以前から興味があった農業に取り組みたいと言うのだ。いままで専業主婦として家事に全力投球してきた夏子は、家庭の安定が一気に崩されるような思いだった。しかし、娘の華（20）も、息子の孝太朗（17）も、「それぞれが自由に生きればいいじゃない」と言う始末。夏子は不満を感じつつも、ふと「自分も今から就職して働いてみよう」と思い立つ。だが、アラフィフの専業主婦を正社員として雇ってくれる会社はどこにもなく...。そんな夏子がたまたま地元のスーパーマーケットのタイムセールの混乱に巻き込まれ、レジを切り盛りする羽目になり、専業主婦としての力を発揮する。経営不振のスーパーマーケットを舞台に、夏子の新しい人生が始まりを告げた...！