优尚舞姿-迪迪3期

暂无简介

沉默的羔羊

联调局学院学员 Clarice M. Starling（乔迪·福斯特 饰）受行为科学组的 Jack Crawford（斯科特·格伦 饰）指派，前往州立巴尔的摩法医院访问被监禁的精神科医生 Hannibal Lecter（安东尼·霍普金斯 饰）。Lecter要求转到条件较 好的联邦机构，远离常常折磨他的 Frederick Chilton 医生（安东尼·希尔德 饰），并愿意为此提供持续作案的连环杀手水牛比尔（泰德·莱文 饰）的心理分析……

赵氏孤儿

《赵氏孤儿》豆瓣官方小站：http:site.douban.com107923 　　春秋时期，晋灵公不喜权臣屠岸贾（王学圻 饰）当道，且厌丞相赵盾（鲍国安 饰）专横。赵盾之子赵朔（赵文卓 饰）双喜临门，不仅战功卓著，而且妻子庄姬（范冰冰 饰）也身怀六甲。屠岸贾视之为 心腹大患，设计在朝堂上投毒，借灵公之口，灭赵氏九族。 　　庄姬在大夫程婴（葛优 饰）诊脉时，目睹夫君赵朔身亡，悲痛中决定生下婴儿。此时，屠岸贾手下韩厥（黄晓明 饰）前来灭种。临危之际，庄姬将婴儿托付程婴，让他交给公孙杵臼（张丰毅 饰），后拔剑自刎。韩厥因此被屠岸贾砍伤，后者下令封城，挨家挨户搜查婴儿。情急之下，程妻（海清 饰）把赵孤交上。程婴前去认领赵孤，程妻去见公孙杵臼。因封城，程妻母子被藏于影壁墙内。屠岸贾设苦肉计，逼程婴说出婴儿下落，相继诛杀公孙杵臼及程妻母子。程婴强忍悲痛，独自抚养赵孤。韩厥在求医时了解到真相，与程婴结下生死同盟。程婴携赵孤投奔屠岸贾门下，并让屠岸贾认下赵孤为义子。从此，展开了长达 15年的复仇计划……

英雄2001

故事发生在1940年的关东山，老抗联战士燕彪为了保护被日本人追杀的大侠步鹰（马精武饰），惨遭敌人灭门，他的儿子燕双鹰（张子健饰）在命悬一线之际得到了姗姗来迟的步鹰的拯救，死里逃生。步鹰收养了燕双鹰，不仅将他视为自己的孩子，还收了他做徒弟，将毕生的武功传授给他，希望他有朝一日能为自己的父亲和家人们报仇。燕双鹰继承了父亲正直坚韧的性格，十分擅长习武，在步鹰的调教之下，他的武艺日渐精湛。但与此同时，燕双鹰发现步鹰的真面目并非表现出来的那副正人君子的样子，他私底下和地下党、国民党以及日本人暗通曲款，从中牟利，为了赚钱，甚至不惜想要牺牲燕双鹰的性命。

天堂岛疑云第十二季

　　Marking its milestone second decade in production, series 11 and 12 will see cast regulars and new faces alike descend on Saint Marie, delving into a world of mysterious murders and perplexing puzzles that have gained Death In Paradise its reputation as a shining example of the crime drama genre.

拳皇命运国语

　　1800年前，人类恶念凝聚而成的怪物—八歧大蛇肆虐人间，被以草薙家族为首的武术家们用三件神器封印。 现代，世界综合格斗大赛 - THE KING OF FIGHTERS（简称KOF）召开，全世界的格斗高手集聚南镇。草薙家族的传人-草薙京来到南镇之后，他敏锐地感觉到了大蛇之力的复苏，一切迹象表明KOF大赛背后隐藏着一个巨大的阴谋。 随着KOF大赛的召开，所有的队伍，抱着各自的目的，渐渐被命运之手拉到了一起。而幕后的邪恶势力已然布下了天罗地网，准备将所有的格斗家一网打尽。正义与邪恶的对决一触即发！

追忆迷局（粤语版）

尼克·班尼斯特（休·杰克曼 饰）是一名私家侦探。他的工作主要是帮助客户重拾遗忘的记忆，沉湎于幽暗诱人的逝去时光。尼克生活在因海平面上升而已经半淹没的迈阿密，然而当他接手了新客户梅（丽贝卡·弗格森 饰）之后，他的生活永远改变了。一次简单的寻回失物之任务，演变成一出危机重重的惊天迷局。尼克努力寻找着梅的失踪真相，而与整座城市存亡息息相关的巨型阴谋也逐渐浮现。他必须争分夺秒，破解回忆迷局，但他真的能在阴谋将自己吞噬前，找到梅失踪的真相吗？同时尼克也必须直面一个终极难题：为了留住你最爱的人，你到底愿意付出什么？

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

依然活着

初沃特集团曾做过多起恶劣谋杀事件，政府一直找不到受害者的尸体，所以对其毫无办法。一个神秘爆料者打往新闻媒体的电话使...

甜甜的那家伙

黑客悲情

某日早晨，宏达证券交易所突遭黑客袭击，不仅攻破“网盾”盗取巨额资金，而且引发股民骚乱。旋即，某市工商银行又收到了黑客来信，扬言下个月要对银行所安装的“网盾”进行密码破译。原本固若金汤的“网盾”缘何被轻易攻陷？这个对“网盾”漏洞了若指掌的黑客到底是谁？对金融领域频频作案背后又隐藏着怎样的惊天阴谋？警方专案组与司马教授一起，在网络世界里与高科技犯罪集团展开了惊心动魄的斗智斗勇……

非婚不可

女主tawan（Pie饰演）是一个生活在浪漫幻想中的年轻女孩，从小寄住在亲戚家，亲戚去世后，tawan只能以佣人的身份生活在这栋房子里，亲戚的女儿yard和男主thomorn（Mai饰演）有一段娃娃亲，生日宴上父亲告诉他这段婚约并让他履行承诺，在去见yard时，thomorn误以为tawan是未婚妻并对她一见钟情，又因为yard觉得thomorn没有钱，是个穷人，所以决定让tawan代替她嫁给thomorn，由此展开的一段先婚后爱。 　　Tawan（Pie饰演）和她的阿姨Yuanjai以及阿姨的女儿Yardfah以女仆的身份生活在一起。 　　她的叔叔Yhod曾经和他的朋友Trong约定过让他们的孩子订娃娃亲。Yhardfah拒绝了，她认为Trong的儿子Tomorn（Mai饰演）是个粗鲁且贫穷的男人，同时和Bunlaeng有关系。 　　她们没有赚到任何的钱，只能...